I spend a lot of time arguing for this tendency, with regards to human sexual freedom, individual identity, and other issues. They have so far showed absolutely no inclination to do this, which is in itself despicable. On-demand video is catnip to both parents and to children, and thus to content creators and advertisers. There are thousands and thousands of these videos and thousands and thousands, if not millions, of children watching them. And yet, there is something weird about a group of people endlessly acting out the implications of a combination of algorithmically generated keywords:
In the version above, she is basically tortured, before turning into a series of Iron Man robots and performing the Learn Colours dance. What concerns me is not just the violence being done to children here, although that concerns me deeply. Exploitation is encoded into the systems we are building, making it harder to see, harder to think and explain, harder to counter and defend against. It presents many and complexly entangled dangers, including that, just as with the increasing focus on alleged Russian interference in social media, such events will be used as justification for increased control over the internet, increasing censorship, and so on. The system is complicit in the abuse. Once again, the view numbers of these videos must be taken under serious advisement. Another huge trope, especially the youngest children, is nursery rhyme videos. Once again, I want to stress: Surprise Eggs videos depict, often at excruciating length, the process of unwrapping Kinder and other egg toys. I have always been a critical proponent of the internet and everything it has brought, and broadly considered it to be emancipatory and beneficial. This, I think, is my point: In the official Peppa Pig videos, Peppa does indeed go to the dentist, and the episode in which she does so seems to be popular — although, confusingly, what appears to be the real episode is only available on an unofficial channel. Once again, I am not alleging anything untoward about Bounce Patrol, which clearly follows in the footsteps of pre-digital kid sensations like their fellow Australians The Wiggles. This no longer applies when brand and content are disassociated by the platform, and so known and trusted content provides a seamless gateway to unverified and potentially harmful content. I think we know by now it means nothing useful. It is hard to keep faith with the network when it produces horrors such as these. They make up an entire YouTube subculture. I would like them to have that choice. In the example above, the agency is less clear: What I find somewhat disturbing about the proliferation of even relatively normal kids videos is the impossibility of determining the degree of automation which is at work here; how to parse out the gap between human and machine. It posts professionally produced videos, with dedicated human actors, at the rate of about one per week. Toy Freaks is a YouTube verified channel, whatever that means. As well as nursery rhymes and learning colours, Toy Freaks specialises in gross-out situations, as well as activities which many, many viewers feel border on abuse and exploitation, if not cross the line entirely, including videos of the children vomiting and in pain. There is more violent and more sexual content like this available. To expose children to this content is abuse. And I find the question increasingly difficult to answer. The culture, politics, and interpersonal relationships which I consider to be central to my identity were shaped by the internet, in ways that I have always considered to be beneficial to me personally.
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