She has spent the past two decades flitting between Europe and Australia, writing about film, culture high and low and the arts. That doesn't seem to square with the person who meets me in the pub after her show; she is thoughtful, amenable and actually thanks me "for a nice evening" afterwards. I think from all perspectives I can see I was probably pretty screwed up. I don't judge myself," she says. It is weird to be told what you are. You're performing an act of intimacy and I can't ever see how that can be healthy. Even so, she wouldn't call it empowering. But I suppose I liked films that explored odd families and emotional difficulties and the comedy that comes from that. I loved comedy as a kid, you know:
If it hadn't been for that, maybe I wouldn't be as funny. She has spent the past two decades flitting between Europe and Australia, writing about film, culture high and low and the arts. You're performing an act of intimacy and I can't ever see how that can be healthy. They will brand you and put you in those boxes. What does that mean? But it is also limiting. She supposes she was those things, given that she was sacked from every job she took after she left school. They're not even true. So now she is writing a situation comedy, helped by a BBC award named after Royle Family creator Caroline Aherne, who died of lung cancer in She was northern, earthy, had been around the block: But I suppose I liked films that explored odd families and emotional difficulties and the comedy that comes from that. Defiant and strong-willed and rude — again, I guess those things gave me creativity in performance. Which can be helpful: I don't judge myself," she says. Even so, she wouldn't call it empowering. She knew she wanted to be a performer, but it was going to take a lot of drive to get there from her side of the fence. So then it feels fitting for me to communicate my thoughts and ideas in that way. I think from all perspectives I can see I was probably pretty screwed up. Why did she choose stand-up as a medium? And now she's a successful woman in what remains a notably male-dominated industry. It needs to be done. Sophie Willan was born to teenage parents. Her first stand-up show, On Record, followed her quest to get copies of her departmental files, which were finally passed to her in a secret operation that sounds like something out of John le Carre. At the same time, she was working her way into theatre, starting with the youth theatre in Manchester. When Sophie was 15 she was thrown out; she survived on a youth allowance and unsuccessful stabs at jobs until she started working as an escort.
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